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备注：已完结
类型：短片
主演：吉吉 André de la Rivière Robert Desno
导演：曼·雷
语言：无对白
年代：未知
简介：Robert Desnos 的诗 Two people stand on a road, out of focus. Seen distorted through a glass, they retire upstairs to a bedroom where she undresses. He says, "Adieu." Images: the beautiful girl, a starfish in a jar, city scenes, newspapers, tugboats. More images: starfish, the girl. "How beautiful she is." Repeatedly. He advances up the stair, knife in hand, starfish on the step. Three people stand on a road, out of focus. "How beautiful she was." "How beautiful she is." "Beautiful."
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备注：已完结
类型：喜剧片
主演：巴斯特·基顿 凯瑟琳·麦奎尔 弗雷德里克·弗鲁姆 Clarence B
语言：无对白
年代：未知
简介：Wealthy Rollo Treadway (Buster Keaton) suddenly decides to propose to his neighbor across the street, Betsy O'Brien (Kathryn McGuire), and sends his servant to book passage for a honeymoon sea cruise to Honolulu. When Betsy rejects his sudden offer however, he decides to go on the trip anyway, boarding without delay that night. Because the pier number is partially covered, he ends up on the wrong ship, the Navigator, which Betsy's rich father (Frederick Vroom) has just sold to a small country at war. Agents for the other small nation in the conflict decide to set the ship adrift that same night. When Betsy's father checks up on the ship, he is captured and tied up by the saboteurs. Betsy hears his cry for help and boards the ship to look for him, just before it is cut loose. The Navigator drifts out into the Pacific Ocean. The two unwitting passengers eventually find each other. At first, they have great difficulty looking after themselves, but adapt after a few weeks. At one point, they sight a navy ship and hoist a brightly-colored flag, not realizing it signals that the ship is under quarantine. As a result, the other vessel turns away. Finally, the ship grounds itself near an inhabited tropical island and springs a leak. While Rollo dons a deep sea diving suit and submerges to patch the hole, the black natives canoe out and take Betsy captive. When Rollo emerges from the ocean, the natives are scared off, enabling him to rescue Betsy and take her back to the ship. The natives return and try to board the ship. After a fierce struggle, Rollo and Betsy try to escape in a small dinghy. It starts to sink, and the natives swiftly overtake them in their canoes. Just when all seems lost, a navy submarine surfaces right underneath them and they are saved.
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备注：已完结
类型：动画片
主演：未知
导演：杨·史云梅耶
语言：无对白
年代：未知
简介：腐烂的暗红色西红柿，布满虫眼的破败芽叶。扭曲的陶土泥人，惊恐地发现自己被牢牢地捆绑在肮脏的床上。他的整个身体正在被无数溃烂的食物所覆盖、侵蚀。他浑身散发着恶臭，生满密密麻麻的蛆。可是无论他如何挣扎，都逃不出这病态的死循环。直到警车鸣笛打破了这场疯狂的宰割与蹂躏。画面停留在一杯白水之上，悄然而终。 这部由捷克电影和动画大师杨·史云梅耶创作的超现实主义作品《花神》，收录在《杨·史云梅耶的短片集：早期篇》中。在快速蒙太奇的特写镜头下，这本该圣洁庄严的美丽代名词，正在不断地瓦解溃烂，坍塌崩溃掉的又何止是“花神”。
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备注：已完结
类型：爱情片
主演：维吉尼亚·瓦莉 卡梅莉塔·杰拉蒂 迈尔斯·曼德 约翰·斯图尔特 费迪南
导演：阿尔弗雷德·希区柯克
语言：无对白
年代：未知
简介：吉尔•切恩（卡梅丽塔•杰拉蒂饰）是来应征天堂花园剧院的舞蹈演员，她和歌舞女郎帕齐•布拉德（弗吉尼亚•瓦利饰）成为了好朋友。后者说服剧院经理（格奥尔格•施内尔饰）给吉尔一个机会，吉尔凭借自己的勇气和才华被录取了，并成为了一位年长的俄国王子（卡尔•法尔肯贝格）的女友。吉尔的未婚夫休•菲尔丁（约翰•斯图尔特饰）和朋友莱维特（迈尔斯•曼德饰）来到剧院，然后休去远东淘金。帕奇被莱维特迷住想和他结婚，但莱维特抛弃她去找休。帕奇虽然难过，但得知莱维特生病的消息还是马上跑去照顾他，发觉他和当地一个女孩（妮塔•纳尔逊饰）住在一起。莱维特将女孩赶走要求帕奇留下，但帕奇拒绝了莱维特的无理要求，她转而照顾也在当地生病的休•菲尔丁。莱维特淹死了当地女孩，在幻觉中以为看到了鬼魂，当他用剑攻击帕奇的时候，为他们治病的英国医生及时用枪打死了莱维特。帕奇和休一起回到了伦敦。
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备注：已完结
类型：短片
主演：Jean Börlin Inge Frïss Francis Pica
导演：雷内·克莱尔
语言：无对白
年代：未知
简介：影片的第一个镜头是几个充气的气囊；接着是穿着短裙的芭蕾舞女演员，然后是歌剧院广场的前景和拳击手挥舞剧院的动作。歌剧院广场，一个达达派艺术家在沉思，要烧掉歌剧院。于是，火柴划着了。拳击手挥起双拳再一次向大歌剧院打去。庙宇的立柱。在高楼的平顶上，达达派艺术家曼·雷伊和画家杜尚正在下棋。突然，喷射而来的水搅乱了棋局。女舞蹈演员的舞步。女人的脸和水母的眼。一颗鸟蛋在喷泉吐出的水柱中蹦跳。芭蕾舞团的主要演员扮成罗尔猎人出现在屋顶上。他瞄准鸟蛋。蛋仿佛在水柱中起舞。开枪。蛋壳破裂。一只白鸽破壳而出。达达派画家端着猎枪。瞄准、射击，猎人应声跌落。一辆由骆驼拖曳的灵车载着死者的棺木，缓缓驶在巴黎的郊区大路上。灵柩上放着饼干花环，送葬者挂着哀恸的神情。灵车越走越快，终于狂奔起来。跟在车后的绅士、太太们疯狂追赶。最后，灵车撞到墙上，棺木掀翻，死者穿着魔术师的装束，从棺木里爬出。他挥动魔杖。追来的人群立即消失，他又点了一下自己的胸口，他也倏忽同隐去。
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备注：已完结
类型：记录片
主演：未知
导演：詹姆斯·班宁
语言：无对白
年代：未知
简介：A portrait of an art institution as a cinematic landscape: in a succession of static shots, James Benning explores the buildings and terrain of the California Institute of the Arts, where he teaches. A series of views of nature filmed in the surrounding park and woods transitions into images of floors, seating areas and other details of a public building not meant for show. In both parts, an uncanny feeling dominates: the geometries of nature, the dark green and brown tones, the rushing of the highway in the background on the one hand and the humming of halogen lamps, the sound of steps in an otherwise seemingly empty school on the other – it all seems to be hiding a secret. The camera’s gaze is almost always restricted; it rarely penetrates very far into the image. It discovers shabby corners, observing scenarios more reminiscent of a mystery novel than the campus of an art institution. More so than in the majority of James Benning’s longer works of recent years, a narrative lies concealed within the images; every shot creates an urge to move forward, a tension, almost as if the landscapes and interiors were the scenes of a crime.
